Rhythms of Remembering with Hemi-Sync®
A contemplative sound journey to transport you beyond ordinary reality.
Slow down your natural rhythm with this powerful blend of ecstatic drumming, ambient guitar, synthesizer soundscapes, and heart-expanding flute as you relax to unite body, heart, mind, Earth and Cosmos. Drum maestro Byron Metcalf is joined by Erik Wøllo, Frore (Paul Casper), and Sherry Finzer in creating a contemplative sound journey to transport you beyond ordinary reality for an alchemical organic experience. Dynamic Hemi-Sync® frequencies help to support a visionary exploration in remembering your sacred place in the larger web of life. Length: 58 minutes.
Executive producer Garrett Stevens. Hemi-Sync® engineered and mastered by Justin Cason.
Other Hemi-Sync® titles by Byron Metcalf are: Adventures in Synaptic Exploration with Hemi-Sync®, The Shaman’s Heart with Hemi-Sync®, The Shaman’s Heart II with Hemi-Sync®, The Shaman’s Heart Program: The Path of Authentic Power, Purpose and Presence, Spirit Gathering, Medicine Work, Persistent Visions with Hemi-Sync®, Deep Time Dreaming and The Winds of Spirit with Hemi-Sync® (with Mark Seelig), Völuspa with Hemi-Sync® (with Ralph Metzner), and Heart of the Deep Time with Hemi-Sync® (with Dashmesh).
Also, a non-Hemi-Sync® title by Byron Metcalf and Mark Seelig on the Flying Man Records® label is The Winds of Spirit.
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Artist
Byron Metcalf
Byron Metcalf, Ph.D.
Byron is a transpersonal guide and educator, shamanic practitioner, researcher, and professional musician. Byron holds a Ph.D. in transpersonal psychology, a master’s degree in counseling psychology, and is a certified graduate of Grof Transpersonal Training and Eupsychia Institute’s Psycho-Spiritual Integration programs. Byron has trained, studied, and worked with shamans, healers, and psycho-spiritual teachers from many parts of the world including Stan Grof, Jack Kornfield, Hameed Ali, John Davis, Ph.D., Angeles Arrien, Ph.D., Jose and Lena Stevens, Sandra Ingerman, and Don Americo Yabar. For nearly three decades, Byron has been intensely involved in consciousness research and spiritual development, specializing in the transformative potential of alternative states of consciousness. As a drummer, percussionist and recording engineer, Byron produces for deep inner exploration, breathwork, shamanic journeywork, body-oriented therapies, various meditation practices and the healing arts.
Byron has conducted two formal research studies examining the healing potential of non-ordinary states of consciousness. "Examining the Effects of Holotropic Breathwork in the Treatment of Addictions” (1995) has been cited in several professional journal articles and Byron presented the results of this study at addiction conferences throughout the United States. He also served as a training consultant to various treatment centers and clinics educating on the efficacy of utilizing transpersonal approaches in addiction treatment, and served as a graduate advisor for Prescott College’s counseling psychology master’s degree program for over 10 years. Byron’s research study, "Breathwork as a Shamanic Strategy” (1999), was an original component of Byron’s doctoral research that examined the effects of breathwork within a shamanic framework. Among several important outcome factors, the study confirmed the fundamental role that "intention" plays when working in non-ordinary states. Byron's doctoral research eventually became the catalyzing force behind the development of HoloShamanic Strategies, LLC. Both studies were published in the Inner Door, the official publication of the Association for Holotropic Breathwork International (AHBI).
Byron began developing the theoretical framework for HoloShamanic Integration™ in the late 1980s in response to clients’ requests for a deeper and expanded understanding of who they profoundly are, and to support their learning to function in the practical world from that deeper place. In 1999, his doctoral dissertation in transpersonal psychology (Shamanic Perspectives in Transpersonal Psychotherapy) focused on the core principles and dynamics of what has since evolved into HoloShamanic Integration™ and "The Shaman's Heart Program: The Path of Authentic Power, Purpose & Presence" (Monroe Products, 2008).
In 2006 Byron retired from his professional counseling practice of over 20 years in order to devote his full energies to HoloShamanic Strategies, LLC, and its training program development, and also to allow more time in his recording studio.
Byron’s highly successful music business career spans 5 decades and covers a wide variety of musical styles and genres. A professional drummer at age 15, Byron has played on several gold and platinum albums (most notably Kenny Rogers’ album "The Gambler”). He has performed at top concert venues including Carnegie Hall, The Greek Theater, The LA Forum, Universal Amphitheater, The Grand Ole Opry, and Wembley Arena (London), as well as headliner showrooms in Las Vegas, Reno, and Lake Tahoe. Byron also performed on The Tonight Show, The Grammy Awards, The American Music Awards, CMA Awards, ACM Awards, Fantasy Island, Hee Haw, Good Ole Nashville Music, and many others. Beginning in 1987, Byron focused his musical talents toward the healing arts, creating musical sequences for Holotropic Breathwork workshops, and facilitating men’s workshops and shamanic drumming circles and ceremonies.
Since 1997, Byron has been producing solo CD projects and collaborating with other artists including Steve Roach, Mark Seelig, Dashmesh Khalsa, Ron Oates, and several other musical guests. Byron's 1998 solo release "Helpers, Guides & Allies” continues to receive enthusiastic reviews in the shamanic, trance dance, and therapeutic communities, and was rated #4 in Backroads Music's 1998 Best of Year Selections in the World Music category. Byron collaborated with award winning recording artist and sonic innovator Steve Roach on the critically acclaimed 2-disc epic "The Serpent’s Lair”(Projekt Records, 2000). "Not Without Risk” (Dr Bam’s Music, 2001) was Byron's second solo project followed by "Wachuma’s Wave” (Spotted Peccary, 2003), a collaboration with German artist Mark Seelig (with Steve Roach), which was chosen by Backroads Music as the #1 Release of 2003 in all categories.
In 2005, Byron teamed up with Monroe Products to produce a Metamusic® version of Byron’s critically acclaimed "The Shaman’s Heart” (with Steve Roach) which includes Monroe’s Hemi-Sync®technology embedded in the music tracks. "The Shaman’s Heart with Hemi-Sync" won the 2006 Visionary Award for "Best Innerspace/Meditational/Healing CD". Monroe Products also released a Metamusic version of "Not Without Risk” (re-sequenced and re-titled as "Spirit Gathering”) in late 2006, and a Metamusic version of "Wachuma's Wave" (re-titled as "Deep Time Dreaming") in 2007. More recent CD releases include "A Warning From the Elders” (Dr Bam’s Music, 2007), "Nada Terma” with Mark Seelig & Steve Roach (Projekt, 2008) "Dream Tracker” with Dashmesh Khalsa & Steve Roach (Dr Bam’s Music, 2010), and "The Shaman’s Heart II” featuring Steve Roach (Projekt, 2011), "Medicine Work” with Rob Thomas of "Inlakesh” (Dr Bam’s Music, 2013), and "Intention” with Mark Seelig (Prokekt, 2014).
As workshop, retreat and ceremonial leader with over 25 years of experience, Byron has facilitated personal growth and healing workshops featuring Holotropic and HoloShamanic Breathwork and The Shaman’s Heart Program/Training throughout the US. Byron has also been a featured presenter at seminars and conferences on the healing potential of non-ordinary states of consciousness, music, sound and sound technologies.
Byron lives in the high-desert mountains of Prescott Valley, Arizona and is the founding director of HoloShamanic Strategies, LLC, offering spiritual and shamanic counseling/healing services and experiential learning programs.
Visit Byron’s website at www.byronmetcalf.com or http://holoshamanicstrategies.org.
My First H-S Experience
By keats_j (verified owner)
I wanted to try H-S after reading the book “Suddenly Psychic,” (which I highly recommend for a fabulous layman’s explanation of the science behind H-S) and after listening to a dozen or so samples, I bought this track to try first. I am not a skilled, practiced, or experienced (in terms of frequency or longevity, but NOT intensity) meditator but I am a scientist and I undertook this as an experiment, admittedly during a particularly stressful and unhappy point in my life merely 3 months ago as I write this now. The only way I can describe this experience is to say that I felt like what I imagined psychedelic drugs to feel like (I had not yet tried any by this point in my 40 years), but not only without any chemicals but also long after the track had stopped and I attempted to sleep. I felt like I was tripping for HOURS, unable to sleep but also not having that sense of sleeplessness. Perhaps I was lucid dreaming all night…? It was like the vibration of my being was shifted and because I was in a high-rise hotel room where I could shut out the entire world, my vibration stayed elevated throughout the night and until the moment I eventually opened the hotel room door the next morning, letting back in those external energy vibrations which shifted me back down into grounding? Sobriety? Real life? Adulting? I was hooked and I have been trying to share this with everyone who will listen ever since. I just wish a) the Hemi-Sync app had a better user experience and synced with my website account, b) there was a “wish list” function, and c) if I can’t listen to a track or album on the app because the unlimited subscription doesn’t include it, please just remove it from my search results. Also let me filter results by language because it doesn’t show the full title and isn’t always in order.
I digress. I have used this track successfully for past life exploration without guidance, something I can now say I’ve experienced at Focus 21…? That’s another suggestion — please provide the focus level targets for these tracks so I can use the Monroe tools in conjunction with them. I love just listening to them under any conditions, but if they’re employing H-S technology, my understanding tells me they are attempting to align my consciousness to a particular vibration, and that frequency aligns to a specific focus level, so it would be helpful to know the maximum target focus level for any given H-S audio track or album, because not all of us can spend a week at an in-person retreat and many of us don’t feel like the price of the Gateway albums is automatically worth it — but you need skeptics if you want to make a difference. So cater to our curiosity as much as possible. And honestly? Gateway is something you really only need to listen to once. I’m not knocking it — I believe it’s that effective and simple that you really only need the orientation tracks,